Without the recent adjustments made on photo shop, my A1 scale of work literally looked like a block of different colours, which involved little meat detail of the meats features. By photo shopping my piece i decided to make it look as if it had been zoomed into the meat. Doing this I thought it made it different to my other pieces, considering I hadn't done this before. Even though you can hardly see that the painting is meat, the colours on the portrait help identify this.
When doing this, I simply used different colour felt tips, and after went over it with a medium round sized paint brush to fill in the spaces. I decided to use this way instead of using the usual 'water colours' because it is more of an interesting idea, and also I wanted to experiment using different techniques.
I didn\t really enjoy doing this because I do not think it was as successful as my other flesh pieces, and did not include as much detail as it could of had. I think this may be because I used quite a large scale of paper, and found it hard to include the detail the detail which was on the meat.
i like the area on the right top corner as you get a sense of depth and the materials used.- drips. The black lines form a cross in the centre of the picture, which draws the attention of the viewer. Perhaps you could experiment with how the marks you make, might draw the viewer's gaze to different areas of the artwork.
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